Case X Essay Example | Topics and Well Written Essays - 1750 words

Case X - Essay Example Udon has none of these. Porter then goes back to her patrol car to call in the license plate. It turns out that the car, while registered to Udon, does not have current tags. Since Udons license plate displayed the current registration tag, Porter surmises, correctly, that Udon has stolen the tag. Porter also finds out that Udon does not have a drivers license, had never possessed a drivers license, and does not have insurance. Porter goes back to the car to talk to Udon, and then, upon coming back to the car, the policewoman notices the smell of alcohol on Udons breath. Therefore, Porter asks Udon to get out of the car so that she can give Udon the field sobriety test. However, Udon refuses, stating that she is pregnant and bleeding and needs to go to the hospital. Porter, having heard similar excuses 100 times a day from people who are trying to get out of a ticket or having to do a field sobriety test, refuses the request and continues to ask Udon to step out of the car so that Udon can take a field sobriety test. Udon continues to refuse, then finally relents. Since Udon was heavily intoxicated, she fails the field sobriety test in spectacular fashion, so Porter handcuffs her and takes her to the station. While in the car, Udon continually states that she is bleeding and needs to go to the hospital. Porter immediately assumes that, even if Udon is bleeding, it is probably because she is on her menstrual cycle and Udon was not to be trusted. After all, Udon gave Porter a false name, was driving in a car that was not registered, was driving intoxicated, and had neither a drivers license nor insurance. There was no reason for Porter to believe Udons story about having a miscarriage and needing to go to the hospital. And, as stated before, people, when pulled over, offer all kinds of excuses as to why they are speeding or why they cannot perform a field sobriety test.

The Job Satisfaction in Hasbro Company Case Study - 20

The Job Satisfaction in Hasbro Company - Case Study Example The job satisfaction in the company will depend on how the mission statements of the company will help the employers in achieving their profit levels and also their personal enhancement. At Hasbro, there are two sets of people working on designing the games. One who focuses on the traditional methods and are happy with their routine jobs. The other set is the innovators who develop new strategies to the existing games in order to make it more appealing. Thus, the satisfaction level depends on the type of job the person is engaged in. People like Peaches Belanger are the company loyalists who are happy with their existing pattern of routine jobs. They take pride in owning a job and develop a sense of belonging to their company. The company can increase their pay scales, provide them with additional perks and benefit and acknowledge their work in the company to increase their job satisfaction level. Rob Daviau’s job satisfaction level is more than that of Peaches Belanger though the latter’s is more dedicated towards the company. This can be explained using Locke’s Value Discrepancy Theory. This theory explains that satisfaction in a job results from the satisfaction of the desires than from the deprived needs (Singh, p.259). Daviau’s sought to introduce changes in the existing standard of the games that were manufactured by the company. He was satisfied with the fact that there were very few game planners like him in the entire country. This personal feeling helps in boosting the job satisfaction in a person and his overall performance.

Ethical Standards for Behavior in International Negotiations Essay

Ethical Standards for Behavior in International Negotiations - Essay Example The country is adopting and improving its business environment for making its international negotiation process more efficient. The country has no quotas, foreign exchange controls and trade barriers regarding international negotiation. UAE conducts the business around the world. For this reason, the country follows the wide framework of foreign policies. UAE is very much concerned about its commitments. It is one of the important ethical principles of this country. The country tries to maintain peace and stability in its international negotiations (Hooper and Newlands, 2012). The country builds a good relationship with foreign companies and countries for establishing effective negotiation policies. UAE emphasizes on tolerance, modernization while doing international negotiation. The country respects people of different places and religions for developing good relations with other countries. The government of UAE tries to maintain the balance between international environment and com munity. Some government-affiliated bodies contribute a lot to developing a good international environment which will facilitate the negotiation process. The rules and regulations of UAE are developed in such a way which helps the people in becoming a good global citizen. In international negotiation, the people of UAE focus more on words. The country puts a huge effort into following the words said in the negotiation process (Soriano, 2014). The people of UAE directly discuss the topic on which they are holding the meeting of business negotiation. They make sure that some strong benefits are obtained by international negotiation. While negotiating with foreign companies and countries the people of UAE do not get distracted from the objectives of the negotiation. They maintain a specific standard for doing international negotiation. Trust and sincerity are considered as most important factors for doing international negotiation.

Equity and Trust Essay Example | Topics and Well Written Essays - 2500 words

Equity and Trust - Essay Example However area of conflict had arisen in the proper disposition of these gifts. A detailed description of Neil’s will and the circumstances related to each of the term stated in the will may prove to be helpful in resolving the conflict. Neil’s will states the following terms : -> 30,000 to be given to the â€Å"Supporters of Elfed Hospital† as a gift -> 60,000 to be gifted to the â€Å"Friends of Thomas Hospital† and -> 400,000 to be used to provide benefits to the inhabitants of Elfed and special privilege to be given to the employees of Neil & Co Ltd and their families. Discussing each of the terms in details would give a clear view of the scenario and will also be helpful in advising the executors of Neil on the probable terms of the declarations made. -> 30,000 to be gifted the â€Å"Supporters of Elfed Hospital† A view on the history behind the relationship between Neil and Elfed Hospital reveals that the main factory of Neil & Co Ltd. is situat ed in the village of Elfed. There is every possibility that considering this fact Neil had included this term in his will, for gifting 30,000 to the â€Å"supporters† of Elfed hospital. Though he mentioned the term â€Å"supporters† and as such there is no legal declaration or discrimination for this particular term, it could be well assumed that the main intention behind mentioning this in the will is to provide welfare in terms of monetary benefits to the Elfed hospital and not in particular to any supporters or volunteers or anyone specific as such.

Betrayal in Julius Ceasar Essay Example for Free

Betrayal in Julius Ceasar Essay When a person is betrayed by someone he or she loves, something profound happens in the heart of the betrayed person. It is not simply that someone has let you down, or double-crossed you. Rather, the betrayer has done an action or taken special information and used it to harm you. The betrayer has held a position of confidence of your most sacred secrets, and then they treat those secrets as if they are to be exploited. A betrayer is a person who knows your heart and has ripped into that heart and ripped out that heart by exposing and exploiting your vulnerabilities. Betraying another person has become okay in modern day society due to the fact that we feel that we need to preserve ourselves, we have to defend our personal relationships with others, and we must always serve the greater good. In today’s society, people are focused on self-preservation when it comes to the betrayal of others. If a person feels that his life, his ego, or his friendships will be jeopardized by another person, he is most likely not afraid to betray another person. This is much like jealousy. We as people feel that we are never good enough. We want to be better than the person next to us, but when that doesn’t happen we feel that person needs to be expelled. In the novel Julius Caesar this is exactly what Brutus does to Caesar. He was afraid that Caesar would outshine the Triumvirate. Brutus killed him, thinking that maybe it would make him look better. This never worked out Brutus. Instead, everyone hated him. His self-preservation was the reverse psychology of what we as people think that betrayal will do for us. Another way that our society views betrayal is with our personal relationships with others. This can be summed up in one word: trust. Humans use trust as a comfort factor. We are always seeking the opportunity to ensue trust in the people in our lives. Betrayal is always ready to mess this up. If we feel that we cannot trust someone we betray them. This is what Caesar’s friends did to him. No one wanted to believe that they could trust him. So what did they do? They betrayed him. The last factor in betraying another person is for the greater good. Brutus believed that by killing Caesar that he was serving the people. He thought that is what they wanted. Just because he was afraid of Caesar he believed that everyone thought the same. The thought was that he would become king and that was very frightening to Brutus. Service to the greater good is a factor of betrayal that is used by many people. We do it because we think that we are able to protect others. Many times this form of betrayal does not do any good because it is done for the wrong reasons. Betraying another person has become okay in modern day society due to the fact that we feel that we need to preserve ourselves, we have to defend our personal relationships with others, and we must always serve the greater good. When a person is betrayed by someone he or she loves, something profound happens in the heart of the betrayed person. It is not simply that someone has let you down, or double-crossed you. Rather, the betrayer has done an action or taken special information and used it to harm you. The betrayer has held a position of confidence of your most sacred secrets, and then they treat those secrets as if they are to be exploited. A betrayer is a person who knows your heart and has ripped into that heart and ripped out that heart by exposing and exploiting your vulnerabilities. Betrayal is found in many different forms of literature, especially the novel Julius Caesar.

Medea By Euripides And Macbeth English Literature Essay

Medea By Euripides And Macbeth English Literature Essay Introduction Medea by Euripides and Macbeth by William Shakespeare are plays renowned for their portrayal of frightening female characters; Medea and Lady Macbeth. Such female characters are particularly controversial as they contradict the social expectations of women. Society constantly attempts to mold women into soft, gentle and compassionate beings. Due to such a stereotype whereby women are perceived as weak, Euripides Medea and Shakespeares Lady Macbeth are found to be quiet overly intriguing characters. Strong, fierce, angry and evil women were not heard of when such plays were written. Medea and Lady Macbeth are both prominent female characters of classic literature. Medea is the protagonist of the Euripides play Medea whilst Macbeths Lady Macbeth is one of Shakespeares most memorable female characters. There is a myth that lingers upon mankind suggesting that females are gentle, caring, weak beings and because the depiction of Lady Macbeth and Medea are quite the contrary, it is debatable whether they are in fact credible characters. To be credible means to be believable, comprehensible and encompass human characteristics such as strengths and weaknesses. This allows the audience to empathize with the characters and create a shared sense of humanity with them. If it is argued that Lady Macbeth and Medea are possibly melodramatic characters, suggesting that they are exaggerated, two dimensional and hence commit evil purely out of malevolence then such an accusation undermines the quality of the plays. Melodramatic works may temporally thrill an audience however they offer little insight to the human condition and encounter no lasting, intellectually satisfying impact. Consequently the question asked is, are Lady Macbeth and Medea credible characters? Whether or not Lady Macbeth and Medea can be appreciated as believable by the audience is absolutely vital to the plays achievement; if they were simply seen as evil, the plays would be regarded as melodramatic and hence fail to be literature of depth and quality. However, if the audience is given an insight into the human condition and is therefore able understand the motives behind evil deeds and the ways in which such actions impact the characters; the play will succeed in being credible and effective. Moreover, the success of each work as literature depends on the key characters being fully rounded and believable. The intention of this essay is to examine the two plays in order to prove that Lady Macbeth and Medea are indeed credible characters. How are Lady Macbeth and Medea presented? The opening scenes of the Euripides Medea commence with the plays protagonist offstage. A strong sense of anticipation is developed as Nurse and Tutor discuss the dilemma whereby Jason has betrayed his loyal wife. The audience is subsequently introduced to Medeas despair; she is heard off stage bewailing her situation, If only I were dead  [1]  . The way in which Euripides employs sound without having Medea visually appear onstage, contributes to the plays elements of stagecraft whilst emphasizing Medeas heartbroken tone of voice and allowing the audience to focus on her speech. Medea gains the audiences empathy early in the play due to such a passionate initial depiction. Lady Macbeth however, is initially revealed to the audience later in Shakespeares Macbeth. She first appears onstage whilst reading her husbands letter; she is excited, anxious and thrilled at the prospect of Macbeth becoming King. Love is the fundamental basis to Lady Macbeth and Medeas disposition. They adore their husbands profoundly, and it is this sense of devotion which adds to their characters credibility. Throughout the entire play, Lady Macbeth is an utterly loyal wife. She is ambitious for Macbeth and hence on no account indicates a quest for personal glory. Lady Macbeth goes to great lengths in order to ensure Macbeths rapid succession to the throne; she is clearly his dearest partner of greatness.  [2]  In fact, it is her devotion for Macbeth which leads to her pursuit for evil. At first Lady Macbeth encourages her husband to sin; she is responsible for influencing his demeanor. Next she develops a strategy in order to murder King Duncan and prepares the murder scene for Macbeth, before taking part in the crime herself. Such actions were evidently driven by Lady Macbeths immense affection for her husband. Medea is also absolutely faithful to her husband and similarly assists him to achieve heroi c status in regards to the capture of the Golden Fleece. Despite such loyalty on Medeas behalf, Jason betrays her for a royal bed; this initial predicament causes a different side to Medeas character to be unleashed and destruction to commence. It was Jasons sense of betrayal following Medeas unquestioning love which leads to her being involved with evil; she creates a scheme to murder her husbands mistress before killing her own children. Once both women are on the pathway of evil they begin to manipulate their husbands with remarkable effectiveness. When Lady Macbeths husband hesitates to murder Duncan the king of Scotland, she gives a chillingly disturbing statement emphasizing her sense of determination and pride, she would have dashed the brains out  [1]  of her own baby rather than go back on her word. She then attempts to undermine his manhood by referring to him as a coward  [2]  in order to influence his decision. Medea manipulates her husband Jason correspondingly. She engages in ruse, pretending to sympathize with her husband in order to bring him into her confidence, First Ill send a slave to Jason, asking him to come to me; and then Ill give him a soft talk.  [3]  Medea utilizes gifts in an attempt to break the ice between Jason, Glauce and herself. Ostensibly, the gifts are intended to convince him that the children stay in Corinth; little do Jason and Glauce know that the coronet and dress ar e in fact poisoned and will cause death to whoever touches them. Evidently, both women use their manipulative ability in order to skillfully persuade their husbands. Lady Macbeth and Medea at times appears totally given over to evil. The aggression of these female characters is particularly striking as it defies prevailing social expectations of how women. Women are generally tender human beings however Lady Macbeth and Medea exemplify vindictiveness and determination; general characteristics of man. Our first impression of Medea allows us to bond with her; she is terribly devastated at Jasons betrayal and the way in which she bemoans in her home is truly credible. As time elapses our impression of Medea alters as we gradually observe layers of her malevolence shed to reveal a tormented human soul. It is universally accepted that women are compassionate and soft hearted due to their motherly nature however Medea is stunningly said to be stone and iron; determined to kill her sons despite their desperate cry for salvage. It is very difficult to comprehend how a mother could murder her children; subsequently Medea is portrayed as evil. Although she never felt a sense of guilt for her wicked actions, Medea hesitated slightly before committing infanticide, I cant do it  [1]  she cried. Medea looks to her sense of pride for strength, Are my enemies to laugh at me? à ¢Ã¢â€š ¬Ã‚ ¦I must steel myself  [2]  , subsequently she swiftly gets over such dither and proceeds with the killings of her two sons. Witnessing Jason suffer brought Medea great satisfaction that prevailed over her own remorse at killing them, But my pains a fair price, to take away your smile  [3]  . Although the audience is thoroughly informed of Medeas brutal past, it was still very shocking and unexpect ed when she kills her children. At this particular moment in the play, the bond between Medea and the audience begins to diminish. Despite experiencing hardships and being emotionally torn, the audience cannot look past the brutality of such a scene. In the early scenes of Shakespeares Macbeth, Lady Macbeth appears to be stronger and more ruthless than her husband. The fact that she is in control of all evilness suggests that her sense of evil is inevitable. Despite the many attempts to reach evil, Lady Macbeth recognizes the need to mask her womanliness in order to find assistance for her plans. Evidence of such is how she yearns for her female essence to be to be replaced with poison, Unsex mecome to my womans breasts and take my milk for gall  [1]  she cries. This statement is an extracted portion from Lady Macbeths soliloquy whereby she calls on the dark spirits. She clearly acknowledges her femininity and the fact that she lacks the complete capacity for evil; she is unable to kill Duncan herself in spite of being exceedingly driven towards brutality. If one is truly evil there is no need to be unsexed. This particular speech also serves to highlight Lady Macbeths great level of passion and the extraordinary lengths she would go to ensure Macbeths speedy succession to King. It is understood that Lady Macbeth is familiar with religion and holds some religious conception. She realizes that she is contemplating a sin against God by wanting her femininity to be removed and consequently wants to be hidden from heaven  [2]  . This opens room to note that a cosmology which posits heaven above all also allows for hell, for guilt, for punishment. Although Lady Macbeth is aware that she will be punished for calling upon the dark spirits, she disregards such knowledge and sins. This form of negligence and ignorance indicates Lady Macbeths desperate desire. At this moment in the play, the audience scowl at her sense of hypocrisy. Why do they follow an evil pathway? Medea is human, however she is also related to the gods and worships Queen Hecate. Obviously elements of fantasy propel her story however she appears before the audience as a woman and must be understood as one. Clearly Medeas love for Jason was all consuming; she was willing to do anything and everything for her beloved. Such passion is evident from Medeas complete obedience; she abides by her husbands every word. As previously mentioned, all of the plays events proceed from the initial dilemma whereby a heartless husband betrays his obedient wife; this is why Medea results to her evil ways. She feels shamed, trampled on and unappreciated as she had supported and did great deal for him, for example she fled her home country and family to live with her lover. Medea even murdered her own brother for Jason. In addition to such, she persuades the daughters of a King to murder their father. Medeas deeds were unselfish and self sacrificing which is why Jasons betrayal drove her wild. To many it is incomprehensible for women to be driven by such an extent of ambition, love and betrayal as to call upon evil. However, Medea was harshly betrayed by the man who was her whole life  [1]  ; the audience can understand this motive for calling upon evil and desiring revenge. Jason lacked the decency to simply stop for a moment before wedding his young bride to recall all the extraordinary deeds Medea had done for him, actions she took for his benefit alone and which he could never express enough gratitude for. Such a degree of unfaithfulness evidently shreds Medea to pieces. The audience observes Medeas character evolve before their very eyes. Such is understood through the employment of soliloquies which are an essential element of stagecraft. Soliloquies are speeches made to oneself which allow the audience to hear the inner thoughts of a character. This permits the audience to be drawn into the characters mind and build a bond with the character. Soliloquies are of particular importance in Medea as they give the audience an insight into the way in which Medeas temperament evolves. It is Medeas self directed speeches which allow the audience to understand her state of mind and comprehend her thoughts as time elapses. Our first impression of Medea is that she is absolutely distraught and suicidal, If only I was dead  [1]  . This is an understandable and human response to such devastating rejection. The audience can relate to being betrayed and can hence understand why Medea later turns to evil; this adds to the credibility of her character. As time progresses her strength and passion drives her to mad; the first time Medea appears on stage she is not shaken with weeping, but cool and self-possessed.  [2]  If it were not for her soliloquies prior to her appearance such as, Oh, how I hate living! I want to end my life, leave it behind, and die  [3]  , the audience could not possibly understand or acknowledge her suicidal state of mind. Later Medea goes on to use her manipulative cleverness to avenge Jasons disloyalty with a series of murders, I have in mind so many paths of death for them  [4]  . Prior to such a statement Medea was begging Creon in order to allow her and her sons to stay the country for one more night. If it were not for the preceding soliloquy it would not be understood that Medea had manipulated Creon. The soliloquy reveals her true feelings; she will strike dead  [1]  her enemies. Medea is a descendant of the Sun god and is capable of passions of far greater intensity than mere mortals. Her only desire was to watch Jason suffer and she was willing to do absolutely anything to achieve just that. Medea is a proud woman, consequently when Jason trampled over such pride, compressing her ego and self concept, she was to avenge him, you were mistaken if you thought you could dishonor my bed and live a pleasant life and laugh at me  [2]  . Medeas fury bubbled and boiled to the severe extent whereby it began to take over her heart, mind and body. She is completely overwhelmed with anger and willing to even harm herself in order to wipe the smile off his face, my pains a fair price, to take away your smile  [3]  she says. Medea successfully devastates Jason by killing her own flesh and blood, her two sons despite the heartache it would cause her, simply to torment him. The way in which Medea gradually follows an evil pathway rather than undergoing a sudden tran sition of character makes her believable. Lady Macbeths love for Macbeth is also all consuming however not of the intensity of Medeas. She was also keen on doing everything and anything for the sake of her beloved. After Macbeth is informed of the prophecy he becomes rapt withal  [4]  and consequently his dearest partner of greatness  [1]  becomes determined to secure his position as King. Lady Macbeth begins to take control; she analyses Macbeths personality and considers him too straight forward and honest to be involved with evil, Yet do I fear thy nature, It is too full othmilk of human kindness, Tcatch the nearest way  [2]  . Lady Macbeth was immensely spellbound by the prophecy, she desired it sooner rather than later; she saw that her husband was ambitious to be king. Lady Macbeth notices that Macbeth requires her strong words to prompt him; subsequently she uses her influence to encourage him. Lady Macbeths evil desires escalate from this moment onwards. As time progresses she begins to take further control and eventually plans King Duncans murder. She employs a metaphor of hypocrisy, look like the innocent flower, but be the serpent undert  [3]  which is used in order to disguise her intentions of harming King Duncan. This particular metaphor is extremely prominent as it reveals a great deal of Lady Macbeths character. The audience begins to observe her strength of spirit and identify her opposite outlook to Macbeth. In addition Lady Macbeths willingness to be associated with evil is emphasized in this statement. The fact that Lady Macbeth becomes furious and challenges her husbands courage and honor when he has serious second thoughts about killing Duncan, indicates that she is indeed more brutal than he at this stage of the play. Lady Macbeth prepares the murder scene but was unable to kill Duncan herself claiming that the King resembled my father  [4]  as he slept. This exemplifies that she is not as ruthless as she appears and that she is rather vulnerable and compassionate. This particular statement adds to the credibility of Lady Macbeths character. It helps define that although one might carry out evil actions, certain things dear to them will expose their vulnerability. Lady Macbeth returns with bloody hands after smearing the chamberlains with blood in order to disguise herself and Macbeth of the deed. At the time the image of her bloody hands has no affect on her and she bluntly says, a little water clears us of the deed.  [1]  However in time, the memory of her bloody hands, which is a significant part of stagecraft symbolizing guilt, haunts and torments Lady Macbeths mind. As previously mentioned Lady Macbeth is aware of God and believes in heaven and hell. She acknowledges that she has sinned; consequently her guilty conscience begins to disturb her sleep. In time Lady Macbeth begins to experience the regular occurrence of sleepwalking. Whilst sleepwalking, she rubs her hands in a washing motion which modern psychology would regard as an obsessive compulsive disorder; she is unable to wash the guilt off her hands. Whilst performing the hand washing routine Lady Macbeth soliloquizes; Wash your hands; put on your nightgown; look not so paleà ¢Ã¢â€š ¬Ã‚ ¦ whats done cannot be undone.  [2]  This further emphasizes her extent of her anguish. Soliloquies are a prominent element in regards to understanding and appreciating Lady Macbeths change of thought and attitude throughout the duration of the play. They help reveal the severe extent of her distress and disturbance. Along with soliloquies, symbolism is another form of stagecraft which is evident in the play; evidently Lady Macbeths sleepwalking is a sign of her great level of guilt. It is particularly ironic how earlier in the play Lady Macbeth calls upon darkness in order to hide her deed, Come, thick night  [1]  and how she now fears the dark; she has light by her continually  [2]  . Lady Macbeths sense of guilt and vulnerability towards the end of the play allows the audience to empathize and connect with her. In demonstrating such human qualities, her credibility was enhanced as unlike Medea, her actions did affect her conscience. The audience is able to relate to Lady Macbeths sense of guilt and therefore appreciate her credibility. Her guilty conscience a ffects her terribly, drives her to contemplate death and eventually commit suicide. The way in which Lady Macbeth gradually breaks down physically and mentally, demonstrates her human essence and hence makes her character credible and realistic to the audience. What is their involvement with evil? The audience is introduced to action from the moment the plays commence. The opening scenes of Macbeth introduce the audience to the prospect of Macbeth being king. Our first impression of Lady Macbeth is that she is a loving wife and excited and happy for him; the atmosphere is blissful. On the hand, the opening scenes of Medea introduce the audience to an atmosphere of misery. Jason has betrayed his wife for a royal bed and we first see Medea as distressed and a heartbroken woman. The audience is later informed of Medeas past; we understand that she has previously committed acts of evil including murder however such actions were driven by her love for Jason. On the other hand, the audience is not informed of Lady Macbeths past; it is presumed that she has had no prior involvement of evil. Medea has committed several murders before the play commences. She has killed her brother and whilst in her home town, Colchis, Medea used her devilish ways to manipulate the daughters of the local king and rival Pelias, into slaughtering their own father. From such details it understood that Medea is capable of committing horrifying deeds and that it was her love for Jason which ultimately suppressed her sense of evil throughout the course of their marriage. Consequently it was expected that once Jason hurt her Medea, she would revert to her violent demeanor and resort to greater brutality than that of which she had encountered out of love for him. After being rejected, Medea lays out a cunning plan pursuing a violent rampage in order to torment Jason. She manipulates Jason into trusting her and sends her sons off with a supposed gift for Jasons new bride. The gifts have been poisoned and princess Glauce endures a horrible death, The stuff was eating her flesh. Her eyes, her face, w ere one grotesque disfigurement; down from her head dripped blood mingled with flame; her flesh, attacked by the invisible fangs of poison, melted from the bare bone, like gum-drops from pine-trees bark- a ghastly sight.  [1]  When Medea gloats, Youll give me double pleasure if their death was horrible,  [2]  she is close to being considered melodramatic however we see enough of her humanity to prevent her from becoming theatrical. This statement highlights how deeply Jasons betrayal scarred his loyal wife. Although Medea fails to be struck by guilt after committing infanticide, she evidently wavers before killing her own children which illustrates her sense of humanity; she is not a cold hearted murder. Lady Macbeth only calls upon evil after she was informed of her husbands prophecy. Similarly to the way in which Medea reached out to evil out of love for Jason during their marriage, Lady Macbeth called upon evil with her husbands best interests at heart. She was ambitious for him to be King and desired to share such a royal status with him. Lady Macbeth begins her pursuit for evil by using her influence to manipulate Macbeth into killing Duncan; she ultimately becomes her husbands backbone encouraging the involvement of evil. Unlike Medea, Lady Macbeth didnt waver when sinning however her bad actions impacted on her and eventually her conscience and sense of guilt drove her to her own grave. The way in which Lady Macbeth is unable to endure guilt emphasises her weaknesses as a human being, thereby reinforcing her credibility. Conclusion In conclusion, at particular moments in the play Euripides Medea and Shakespeares Macbeth appear close to being melodramatic whereby the audience questions, Are Lady Macbeth and Medea credible characters? Eventually the audience sees the womens sense of humanity whereby it is clear that both Medea and Lady Macbeth are indeed credible. Lady Macbeth is one of Shakespeares most renowned and fearsome female characters; however after deeply analysing her character, one cannot restrain himself from feeling empathy for her. It is understood that although she reaches out to evil and commits terrible acts, Lady Macbeths sense of faith, guilty conscience and feminine essence restrains her from being a killer with no conscience; she is a criminal whose actions and guilt deeply affect her. It is her sense of humanity and weakness which ultimately leads to her destruction. This disregards her as a frightening character and emphasizes her credibility. Medea is also said to be a frightening female character. Although her actions were horrifying and savage, Medeas conscience and vulnerability allows her to waver before killing her children; a truly evil character would not waver before committing evil. Medea was heartbroken, scared, bruised and battered which was her ultimate drive for destruction. Consequently, the audience also empathizes with Medea after understanding and acknowledging her sense of humanity and connects with her emotions. Thus, despite the fact that Lady Macbeth and Medeas female roles go against the ordinary depiction of women, they are by no means melodramatic evil characters. If Lady Macbeth and Medea were melodramatically evil, the audience will feel that the plays are unconvincing thereby unjustly diminishing the playwrights achievements.

Sex Offender Laws and Wrongful Convictions Essay -- Argumentative Ess

Sex Offender Laws and Wrongful Convictions The laws for sex offenders should be changed for many reasons. This is a very controversial subject, and tempers flare easily and often for good reason. Due to the plethora of opinions on this subject it is hard to determine what is right and what is wrong. The very same government sending teenagers to school together as a group and teaching them about safe sex is the same government that is bringing charges against them for practicing sex. Not only that but they are labeling them as sex offenders for the rest of their lives. How confusing this must be to the young people of America today. So many young people are finding this out the hard way by being accused of a sex offense for being with a person of their own age group, their peers. Consensual sex by teenagers experimenting is an activity that is labeled by most states as sexual assault, statutory rape and/or child sexual abuse. This felony crime, in most states, is also accompanied by registering as a sex offender for the rest of a person’s life if convicted. Growing up in the 60’s, it was common and acceptable for a sixteen year old to date a nineteen or twenty year old. It is a good thing these laws were not in effect then, because most of the young people being accused today would have never been born. Their parents would either still be in jail or unable to afford to have children due to the fact that a registered sex offender cannot find decent paying employment. â€Å"No one will hire a person labeled a sex offender no matter what the situation, clearly a violation of human rights.† (Laurie Peterson July 27th 2007) Federal legislation expanded the release of criminal records reports under the fair credit reporting... ... and Hayley Mitchell Haugen. Detroit: Green haven Press, 2010. At Issue. Gale Opposing Viewpoints In Context. "Age of Consent Laws Must Be Reviewed and Revised." Age of Consent. Ed. Olivia Ferguson and Hayley Mitchell Haugen. Detroit: Green haven Press, 2010. At Issue. Gale Opposing Viewpoints In Context. Cayenne B. "Jessica’s Law." U. N. I. O. N. - HOME PAGE. Web. 04 Dec. 2010. . Sex Offenses American Law Yearbook 2007) Detroit: Gale 2008 180-181 Gale Opposing Viewpoints in Context Web 1 Dec. 2010. Document URL http://ic.galegroup.com/ic/ovic/ReferenceDetailsPage "Shred Your Sex Offender Map - Forbes.com." Forbes.com - Business News, Financial News, Stock Market Analysis, Technology & Global Headline News. Web. 04 Dec. 2010. .